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datatime: 2022-11-27 03:33:50 Author:cPkVphXm

"Fidel the flying squirrel, maybe?"

"I understand you're upset, but don't you see that the crime itself is a relief, you know, a release. It's a regeneration." Hector stood and stretched. He kissed his scorpion tattoo, flicked his tongue at Fay. He thought, Yes, this woman will understand. "Before I killed, I was far more horrible than I am now, because I was pregnant with evil, with the idea of murder. And now the evil is done, gone, vanished. The idea of violence, the threat of violence, is always more frightening than the act of violence. Don't you think?" Fay heard a chime, a tune that sounded like "Lara's Theme" from Dr. Zhivago.

Marion McAlister Williams felt deflated, degenerate, annoyed. So there you have it: there are no answers beyond the grave. Well, not the grave just yet. No answers beyond death. She was no longer one of the chosen people-those still alive. She found herself humming the tune to "The Yellow Rose of Texas" and singing the words to Emily Dickinson poems: Because I could not stop for death, da-da-da-dum-dee-tum. No answers and no tunnels and no lights. We spend our lives lumbering from hope to hope. So what is death then? No lights and no hope. Marion felt like her mind was going blind. Death belongs to life, not to whatever-this-is. No hope and no Buddha. No Jesus. No Allah. No angels, no time, no enlightenment, no nine circles of hell, no rest, no numbers, no regrets, no color, no stories, no space, no peace, no honor, no pain, no blood, no air, no matter. Just alone. All alone. That's all.

In Dania: When housewife Sabrina Kennedy saw the face of Mickey Schwartz on the door of her Kelvinator refrigerator, saw it blossom to life like a Polaroid photograph, why, she called Tristan Jude, Dania correspondent for the Broward Sun-Tattler and invited him over to see for himself. He wanted to know what she thought this meant. Well, she said, it means, apparently, that I'm going to win the lottery in the very near future. Yes, she had to agree with Tristan, this could possibly be Mickey's double, that Cuban dude, in which case she figured she'd meet some tall, dark stranger. Miracles aren't ordinary, she told him. Life's no accident. Everything means something.

On the patio, Hector explained to Fay how it was, but how could a woman ever understand? "Yes, I killed your grandmother. Yes, I killed Phil. What were we supposed to do when he let you escape like he did? You think I had a choice? Besides, he was a nudge and you know it."

In Dania: When housewife Sabrina Kennedy saw the face of Mickey Schwartz on the door of her Kelvinator refrigerator, saw it blossom to life like a Polaroid photograph, why, she called Tristan Jude, Dania correspondent for the Broward Sun-Tattler and invited him over to see for himself. He wanted to know what she thought this meant. Well, she said, it means, apparently, that I'm going to win the lottery in the very near future. Yes, she had to agree with Tristan, this could possibly be Mickey's double, that Cuban dude, in which case she figured she'd meet some tall, dark stranger. Miracles aren't ordinary, she told him. Life's no accident. Everything means something.

Former altar boy Juan Carlos Reyes stood in line to receive Communion. Introibo ad altare Dei. The choir chanted Tantum Ergo. To God the joy of my youth. He felt his pager vibrate in his pocket. He checked the display. Ramona calling. Probably wanted him to pick up a bag of those pink mice for her snakes. I have no shame, he thought. Shame is for the young. Juan Carlos nodded to the Peanut Man as he passed the first pew. We live on secrets, he thought. He took the host in his hands. My God, what would the world be like if all our secrets were revealed, all our lusts, opinions, fears, dreams, our fantasies, our rituals? What secrets, he wondered, did this old woman take with her? Expensive secrets perhaps. Well, he wasn't here to worry about that. He was here to protect his holdings: Reyes Cuban-American Cruise Lines, Reyes Hotel and Casinos, Reyes PepsiCo Bottling Company, Reyes Burger King Havana, Inc. He was here to keep his eye on the slippery Dr. Irwin Scheinblum, the one man alive who could positively identify the body of Fidel Castro, the man who had performed Fidel's penile implant in 1962. But where was that body? Juan Carlos was not paying a million dollars to any Cuban Cuban for a severed head. The gentleman would have to provide the rest of the filthy Communist. Of course, if he, himself, could acquire the rumored lock of hair and match its DNA with the head, well, perhaps then he would negotiate. Yes, people will need to be relocated. Yes, people will have to die, unfortunately. Yes, of course, the transition to the Golden Age of freedom and prosperity will not be easy.

Marion McAlister Williams felt deflated, degenerate, annoyed. So there you have it: there are no answers beyond the grave. Well, not the grave just yet. No answers beyond death. She was no longer one of the chosen people-those still alive. She found herself humming the tune to "The Yellow Rose of Texas" and singing the words to Emily Dickinson poems: Because I could not stop for death, da-da-da-dum-dee-tum. No answers and no tunnels and no lights. We spend our lives lumbering from hope to hope. So what is death then? No lights and no hope. Marion felt like her mind was going blind. Death belongs to life, not to whatever-this-is. No hope and no Buddha. No Jesus. No Allah. No angels, no time, no enlightenment, no nine circles of hell, no rest, no numbers, no regrets, no color, no stories, no space, no peace, no honor, no pain, no blood, no air, no matter. Just alone. All alone. That's all.

Jake Lassiter hadn't heard a word the reverend said. He'd spent the morning at the library, trying to keep his mind off Fay and Britt and where they might be and in how many pieces. He looked up "manatee" in the dictionary and learned that it comes from the Cariban manati, which means breast, and for some reason he found the revelation distressing and depressing. He couldn't stop himself from thinking about that sea cow Booger, and about Fay and Britt. What kind of man beholds a hulking sausage-shaped, beaver-tailed, cleft-lipped creature and decides to name it for the female breast? A man too long at sea, perhaps. But still. Jake reminded himself where he was. He studied the Stations of the Cross on the stained-glass window. Veronica wipes the face of Jesus. He stared at the crucifix suspended above the altar, thought Jesus looked like the daring young man on the flying trapeze. Jake couldn't stop his obsessive thoughts: beaver, sausage, tail, lips, cleavage, breast. What was worse, he'd also read that a manatee's breasts were situated under the flippers, where appendage meets torso. Jake cursed himself for going to the library in the first place. It would never happen again. He turned to Janice Deal, his buddy John's ex, smiled, squeezed her hand. She smiled, returned her attention to the priest. Jake inhaled her vanilla scent. He tried not to think of breasts in her armpits.

Vernon Sawyer wanted to sing "What Wondrous Love Is This?" "Abide with Me," or "There Is Power in the Blood," anything. Why can't Catholics sing? He was tired with all this talk, talk, talk. He wanted his religion to carry him out of the church, out of himself, to lift his heart, to set his feet in ecstasy. He looked at the hair of this vaguely familiar man seated in front of him, saw how it thinned at the crown. He hated the treachery of baldness. Vernon knew that when there is a mystery, there are always two stories-what happened and what seemed to happen. What seemed to happen here was a drowning. But no, not with the granddaughter gone missing like she'd done. That was no coincidence, no sir. Something to do with that key he'd passed to Fay. The key to the whole mystery, likely.

11. WHERE ARE YOU DYING TONIGHT?-John Dufresne

Marion McAlister Williams felt deflated, degenerate, annoyed. So there you have it: there are no answers beyond the grave. Well, not the grave just yet. No answers beyond death. She was no longer one of the chosen people-those still alive. She found herself humming the tune to "The Yellow Rose of Texas" and singing the words to Emily Dickinson poems: Because I could not stop for death, da-da-da-dum-dee-tum. No answers and no tunnels and no lights. We spend our lives lumbering from hope to hope. So what is death then? No lights and no hope. Marion felt like her mind was going blind. Death belongs to life, not to whatever-this-is. No hope and no Buddha. No Jesus. No Allah. No angels, no time, no enlightenment, no nine circles of hell, no rest, no numbers, no regrets, no color, no stories, no space, no peace, no honor, no pain, no blood, no air, no matter. Just alone. All alone. That's all.

Dash Brandon didn't like his seat. He belonged up there with Governor What's-his-face and Jimmy Carter. This sort of affront would never happen at Planet Hollywood or at the Raleigh, where just this morning he'd been seated by Johnnie Cochran's table. What was he in town for? Defending some fat tourist? Something about a riot. Or was it the Club Hell fiasco? Dash had given Johnnie a nod and a conspiratorial thumbs-up. He'd eavesdropped as Johnnie rehearsed his forensic couplets: "If the facts don't indicate, you must vindicate," "If the fault's with the police, you must release," and so on throughout the brunch. Dash thought about his own funeral. A full-couch, polished copper casket with taffeta lining, interior lighting, brass fittings. Or an Egyptian sarcophagus. Wouldn't that be a hoot? Show tunes and spontaneous eulogies. He cast his pallbearers: Arnold, Bruce, Sly, Wesley, Woody, the Boz. No, not the Boz. Denzel. Ziff Bodine nudged Dash, showed him the sketch he'd been doodling. Castro, it looked like, without the beard and toupee.

"Not playing, Ms. Montero. Neurosuspension is not a game." Big Joey explained the process: A cryonicist opens the subject's chest, injects cryopreservatives and cooling solutions through the blood vessels to preserve the brain. He then severs the head at the sixth cervical vertebra, submerges the skull in a silicone oil bath with dry ice for twenty-four hours. "Then we pop the noodle in a neurocan and cool it in liquid nitrogen for ten days.''

In Biscayne Bay: Call me Booger. Now it is November in my soul and twilight in my heart. Light is leaving me. And hope. It is this blackness above all that appalls me. The blackness to come, the blackness of this loathsome hull above me, and the inky black hearts of those Stygian scoundrels who took Ma from me, the dark-complexioned, cloven-footed desperado who fired the bullet into my snout and that pink and squabby venom spouter who steered this floating coffin. The pair of them are madness-maddened, blackness-blackened. They have all that is bloody on their minds. What lunatic vision is it that drives these blackguards? What furious passion? What unimaginable fear has freed them from the irons of civility? Loosed their bonds of horror? Nothing so simple as greed. Not that. We see differently, they and I. They have their colors, I my grays. But blackness we share. Blackness, agent of the mind, not the eye. We all see black alike. And it's blackness where our fates will meet. I have a plan.

Vernon Sawyer wanted to sing "What Wondrous Love Is This?" "Abide with Me," or "There Is Power in the Blood," anything. Why can't Catholics sing? He was tired with all this talk, talk, talk. He wanted his religion to carry him out of the church, out of himself, to lift his heart, to set his feet in ecstasy. He looked at the hair of this vaguely familiar man seated in front of him, saw how it thinned at the crown. He hated the treachery of baldness. Vernon knew that when there is a mystery, there are always two stories-what happened and what seemed to happen. What seemed to happen here was a drowning. But no, not with the granddaughter gone missing like she'd done. That was no coincidence, no sir. Something to do with that key he'd passed to Fay. The key to the whole mystery, likely.

"Speak for yourself."

Marion McAlister Williams felt deflated, degenerate, annoyed. So there you have it: there are no answers beyond the grave. Well, not the grave just yet. No answers beyond death. She was no longer one of the chosen people-those still alive. She found herself humming the tune to "The Yellow Rose of Texas" and singing the words to Emily Dickinson poems: Because I could not stop for death, da-da-da-dum-dee-tum. No answers and no tunnels and no lights. We spend our lives lumbering from hope to hope. So what is death then? No lights and no hope. Marion felt like her mind was going blind. Death belongs to life, not to whatever-this-is. No hope and no Buddha. No Jesus. No Allah. No angels, no time, no enlightenment, no nine circles of hell, no rest, no numbers, no regrets, no color, no stories, no space, no peace, no honor, no pain, no blood, no air, no matter. Just alone. All alone. That's all.

Jimmy Carter was basking in a marvelous run of good luck and nothing was going to get him down-not Rosalynn's volatile mood swings, not Robertico Robles's threats, not this dismal ceremony, and certainly not these elitist book reviewers. Jimmy Carter stood with the congregation. He bent his head, moved his lips, as if in prayer. Yesterday he'd autographed eight hundred hardcover copies of Always a Reckoning in two hours at Books and Books, beating the Anne Rice record by seventy-five books. Mitchell Kaplan told him so, and booksellers don't lie. And then last night he'd beaten Vanilla Ice by a pentameter in the poetry slam at Warehaus 57. Then this morning's News carried his photo on page one. There he was driving a nail into a crossbeam in the new Habitat house in Liberty City. He was in a zone right now, and he dared to dream of, to lust in his heart for, the unprecedented Double Nobel-Peace and Literature. He was possessed by the Muse, on fire with a Promethean mission to steal poetry from the academic gods and deliver it to the people. Soon poetry would be accessible to working men and women in paper-hat jobs, would be understood and loved by schoolchil-dren, illiterates, babies, cats. And in the limo on the way to the cemetery he'd begin his Sonnet Sequence for Democracy, that is, if he could get Governor Whatchamacallit to shut his trap for a minute.

"Cephalic isolation is economical, portable. The body isn't very useful really."

Britt said, "This is getting confusing."

"Fidel the flying squirrel, maybe?"

"Eventually, we bring back the cryonaut, and he's himself, only we make him better because we provide an engineered body, a cyborg, a person who can breathe underwater or run like the wind."

Dash Brandon didn't like his seat. He belonged up there with Governor What's-his-face and Jimmy Carter. This sort of affront would never happen at Planet Hollywood or at the Raleigh, where just this morning he'd been seated by Johnnie Cochran's table. What was he in town for? Defending some fat tourist? Something about a riot. Or was it the Club Hell fiasco? Dash had given Johnnie a nod and a conspiratorial thumbs-up. He'd eavesdropped as Johnnie rehearsed his forensic couplets: "If the facts don't indicate, you must vindicate," "If the fault's with the police, you must release," and so on throughout the brunch. Dash thought about his own funeral. A full-couch, polished copper casket with taffeta lining, interior lighting, brass fittings. Or an Egyptian sarcophagus. Wouldn't that be a hoot? Show tunes and spontaneous eulogies. He cast his pallbearers: Arnold, Bruce, Sly, Wesley, Woody, the Boz. No, not the Boz. Denzel. Ziff Bodine nudged Dash, showed him the sketch he'd been doodling. Castro, it looked like, without the beard and toupee.

"Eventually, we bring back the cryonaut, and he's himself, only we make him better because we provide an engineered body, a cyborg, a person who can breathe underwater or run like the wind."

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